Selected animation work across documentary, lifestyle and brand projects for two production houses.
Compilation reel — selected motion and titling for documentary, lifestyle and brand work.
Process
How it got made.
Selected stills from the working files — block-outs, style frames and tests that informed the final piece.
Reels are an editing problem more than a motion problem. The temptation is to put your loudest frames first; the better move is to pace it like a piece of music.
I cut to a single track and let the motion vocabulary cluster — broadcast intros up front, then documentary titles, then experimental loops. Each block has its own visual logic, but the cuts thread on rhythm.
Color and sound got a final unifying pass. One LUT across everything, one stereo mix, one master at three deliverables. Simple discipline, but it's why the reel reads as a single voice.